Movie

  • TIFF 2018: The Standoff at Sparrow Creek, Climax, In Fabric, Freaks

    by - Sep 14, 2018
    Since I started attending Sundance and TIFF, I always look forward to digging into the Midnight Madness programs—it’s often where the gems are found, and, well, I’m something of a horror junkie. This year’s MM at...
  • Hold the Dark

    by - Sep 14, 2018
    It brings me no joy to say that Jeremy Saulnier’s newest, and arguably his most ambitious, film is his first misfire. As one of the biggest fans out there of “Blue Ruin” and “Green Room”—two masterfully taut...
  • TIFF 2018: Maya, Jeremiah Terminator LeRoy, Skin

    by - Sep 14, 2018
    Film festivals aren’t for everyone. Even if you’re attending one purely as a film lover (and not as a journalist, who often has to write multiple pieces a day on little food and sleep after seeing...
  • Nicole Holofcener on Her Career of Dysfunctional Characters and Her New Netflix Film, The Land of Steady Habits

    by - Sep 13, 2018
    The typical characters of prolific American auteur Nicole Holofcener are relatable not in spite of, but because of their human flaws. Like the loveable Eva (Julia Louis-Dreyfus) of “Enough Said,” they sometimes behave in troubling ways...
  • The Land of Steady Habits

    by - Sep 13, 2018
    A character drama that chronicles a few days around the holidays for a few broken men, young and old, Nicole Holofcener’s “The Land of Steady Habits,” premiering at TIFF tonight and on the Netflix series on...
  • Maya Rudolph is Wondrous in Amazon’s Sort-of Comedy, Forever

    by - Sep 13, 2018
    I’m not sure what to say about “Forever.” The new Prime series from creators Matt Hubbard (“30 Rock,” “Parks and Recreation”) and Alan Yang (“Master of None,” “The Good Place”) cares far more about character and...
  • Panos Cosmatos on Crafting His Heavy Metal Valentine, Mandy

    by - Sep 12, 2018
    It’s very possible that Nicolas Cage was specifically put on this earth to star in “Mandy.” Set in an alternate version of 1983, it’s a heavy metal revenge epic that turns Cage up to 11 as...
  • Roma

    by - Sep 12, 2018
    Alfonso Cuaron’s “Roma” opens with a close-up shot of a stone-paved driveway. We see soapy water cascade over the rock, as someone off-camera is cleaning it. In the reflection of the water, we can see the sky,...
  • TIFF 2018: Beautiful Boy, Ben is Back

    by - Sep 12, 2018
    I don’t write about them a lot, but fans of mine probably know that I have three sons. While I’m regularly trying to teach them lessons and values, I know that I won’t always be there...
  • Bright Wall/Dark Room September 2018: For Love or Money by Kellie Herson

    by - Sep 11, 2018
    We are pleased to offer an excerpt from the latest edition of the online magazine, Bright Wall/Dark Room. The theme for their September issue is WORK, and in addition to Kellie Herson’s essay below on “Goodfellas,” they”ll...