Movie

  • Cannes 2018: John David Washington on the Emotional Roller-Coaster of Spike Lee’s BlacKkKlansman

    by - May 18, 2018
    In Spike Lee’s “BlacKkKlansman,” which had its premiere in competition here in Cannes, part of the difficulty of playing Ron Stallworth is that Stallworth, an undercover police officer, is often a performer himself, playing different roles...
  • Cannes 2018 Video #4: BlacKkKlansman, Fahrenheit 451 and More

    by - May 17, 2018
    Here is Chaz Ebert’s fourth video dispatch from the 2018 Cannes Film Festival, accompanied by a transcript of the video… Will Cannes Do The Right Thing: Spike Lee is back in Cannes with a film about...
  • Book Club

    by - May 17, 2018
    When I learned that “Book Club,” Hollywood’s latest bid to please the senior-discount demo with a glittering array of big-screen notables of a certain age, was partly inspired by the “Fifty Shades of Grey” trilogy—aka “The...
  • Cannes 2018: Under the Silver Lake, Burning, Sofia

    by - May 17, 2018
    Walking around the streets of Cannes, it’s evident that miniature dogs are the ultimate French totem. Small fluffy dogs with bright beady eyes are all over, and welcome everywhere—the bar and café, and even the department...
  • Leading Legends: Bill Holderman on “Book Club”

    by - May 16, 2018
    Let’s set the scene: Bill Holderman’s driving down a long, long road in rural Georgia, headed to or from the set of “A Walk in the Woods,” the 2015 Robert Redford and Nick Nolte film for...
  • Tom Wolfe: 1931-2018

    by - May 16, 2018
    In writing a tribute to the great Tom Wolfe, who passed away yesterday in a Manhattan hospital at the age of 88, it is tempting to try and emulate the innovative writing style that made him...
  • Solo: A Star Wars Story

    by - May 16, 2018
    As unnecessary prequels go, “Solo: A Star Wars Story” isn’t bad. It’s not great, either, though—and despite spirited performances, knockabout humor, and a few surprising or rousing bits, there’s something a bit too programmed about the...
  • Cannes 2018: Lars von Trier returns to Cannes with The House That Jack Built

    by - May 15, 2018
    One of my favorite memories of Cannes is of being in the journalists’ wi-fi lounge in 2011, watching a press conference for “Melancholia” on a TV. In a vaguely free-associative ramble, Lars von Trier suddenly decided...
  • The Silence: Paul Schrader on First Reformed

    by - May 15, 2018
    When I last interviewed filmmaker Paul Schrader almost exactly ten years ago, he seemed deeply pessimistic about the state of filmmaking, at least as he knew it. In reference to a massive article he wrote for...
  • Cannes 2018: BlacKkKlansman, Shoplifters

    by - May 15, 2018
    If today’s competition films at the Cannes Film Festival have a common theme, it is: Who do you belong to; Who is your tribe, your family, your group? Spike Lee hits this theme with a sledgehammer,...