Movie

Collider’s editor-in-chief Steven Weintraub moderated a panel of director Scott Cooper (“Crazy Heart,” “Hostiles”) and producer Guillermo del Toro (“The Shape of Water”)  who talk about their upcoming Searchlight Pictures movie “Antlers” and how they designed the Wendigo-inspired...

If you want to pitch a movie idea to Charlize Theron, here is a tip. Don’t try to capture her attention by telling her the character she will be playing is “a warrior and a hero!”...

In the Directors on Directing panel, Robert Rodriguez, Colin Trevorrow, and Joseph Kosinski talked to Collider’s Steven Weintraub about creative struggles they won and a few they lost, the technology that still blows them away, and...

“Most Wanted,” a thriller set at the intersection of journalism, law enforcement, and international drug dealing, isn’t as generic as its title. But its characters and story have just as much trouble making a strong impression. This would...

San Diego Comic-Con is doing its best to emphasize the advantages of this year’s virtual gathering with a cheeky video greeting promising “No lines! Free parking! Comfy chairs!” But for those who want to make the...

It has been 26 years since “My So-Called Life” went off the air, but Wilson Cruz, the first openly gay performer to play an openly gay character on television said he still hears about his role as...

The original “Star Trek” beamed into your house for free, as did “The Next Generation,” but the future of Star Trek is paid-for-streaming with CBS All Access, where you can catch “Star Trek: Discovery,” “Picard,” and...

In 2017, Indonesian filmmaker Joko Anwar’s remake of Sisworo Gautama Putra’s 1982 cult favorite “Satan’s Slaves” was a huge hit in his home country and made him a name to watch among international horror fans. Following...

Like a fluorescent glow, alluring and mystifying, irreverence has marked Marjane Satrapi’s interdisciplinary oeuvre. Both as a graphic novelist and a filmmaker, the Iranian-born, French artist consistently reinvents herself through the narrative vehicles she chooses to...

For her feature directorial debut, “Obvious Child” co-writer Karen Maine tells a story about a high school student (Natalia Dyer of “Stranger Things”) as she attends a Catholic retreat put on by her school, one that...