Movie

There are plenty of moments during the darkly comedic series “This is Going to Hurt” in which the viewer may want to look away. It does take place, after all, in an obstetrics and gynecology ward, and...

Like a bride, “Fire Island” has something old, something new, something borrowed, and something blue. What’s old is the most durable of movie storylines, the romantic comedy. Borrowed: the inspiration for the storyline, the ur-narrative of...

RogerEbert.com publisher Chaz Ebert’s seventh video dispatch from the 2022 Cannes Film Festival, directed and edited by Scott Dummler of Mint Media Works, reveals this year’s winners of the Palme d’Or and the other major awards. ...Read More

RogerEbert.com publisher Chaz Ebert’s sixth video dispatch from the 2022 Cannes Film Festival is our annual critics roundtable featuring insights from Jason Gorber, Lisa Nesselson and Ben Kenigsberg....Read More

The Palme d’Or at the 75th Cannes Film Festival went to “Triangle of Sadness.” It was the second Palme in five years for the Swedish director Ruben Östlund, who won the prize in 2017 for “The...

RogerEbert.com publisher Chaz Ebert’s fifth video dispatch from the 2022 Cannes Film Festival, made with Scott Dummler of Mint Media Works, includes Ben Kenigsberg’s reviews of David Cronenberg’s “Crimes of the Future,” Lucien Castaing-Tayler and Véréna Paravel’s “De...

For those who believe that 80 percent of success is showing up (a quote that generally seems to be attributed to Woody Allen), Kelly Reichardt’s “Showing Up,” a late-arriving, funny, and fully wonderful highlight of the Cannes...

We are in an era of increasing reliance on familiarity to sell new movies and TV shows. “Remember how much you loved this!?!? Please love it again!” The Disney+ Marvel and Star Wars shows have been...

You cannot throw a rock 5 feet from anywhere without hitting someone who thinks “Goodfellas” is one of the best movies ever made. They will regale you for hours with descriptions of their favorite scenes like...

About 20 minutes into Claire Denis’s “Stars at Noon,” I was convinced that we’d be hearing lusty boos by the end and that Denis had delivered a film maudit. (Here’s J. Hoberman explaining the term with regard...