Movie

  • Roger’s Top Ten Lists: An Introduction

    - May 1, 2017
    AS WE COMMEMORATE ROGER on this, his fourth year since taking his “Leave of Presence,” let’s take a look back to see his thoughts on some of his favorite movies of different decades. Throughout the entirety...
  • Hot Docs 2017: “Whitney: Can I Be Me,” “You’re Soaking in It,” “A Bastard Child,” “Shingal, Where Are You?”

    - Apr 30, 2017
    Three hours before the world premiere of Nick Broomfield and Rudi Dolezal’s much-anticipated documentary about Whitney Houston at Tribeca, the filmmakers were unsure whether their movie would actually screen. The family and estate of Houston were...
  • Rodney King

    - Apr 30, 2017
    “Rodney King” is a film of provocations, starting with its opening lines, delivered by writer and star Roger Guenveur Smith: “Fuck Rodney King in his ass.” Those aren’t Smith’s words. He’s quoting rapper Willie D’s song...
  • Hot Docs 2017: “Bee Nation,” “Communion,” “Tiger Spirit”

    - Apr 29, 2017
    One of the pleasures of a great film festival is the heightened attention of its audience. Small moments that would’ve likely escaped the gaze of more passive viewers are savored with audible glee at Hot Docs,...
  • The Circle

    - Apr 29, 2017
    The highlight of “The Circle” is producer-costar Tom Hanks’ performance as the CEO of the titular company, a Google- or Apple-styled high-tech octopus that’s spreading its tentacles into every nook of our lives. The brilliance of...
  • Let’s Talk About Femmes, Sex and Ebertfest

    - Apr 28, 2017
    Friday night at Ebertfest, “Elle” illuminates the Virginia Theatre’s screen. The complex and active character of Michele, brought to life by Isabelle Huppert, is being forcefully assaulted and raped. Again. I hear a few “oh my...
  • “American Gods” Wants to be Your New TV Religion

    - Apr 28, 2017
    “The world is either crazy or you are—they’re both solid options.” For years, Hollywood has grappled with how to adapt Neil Gaiman’s beloved, epic novel about power, religion, faith, and general insanity known as “American Gods.”...
  • Hot Docs 2017 Interview: Theo Anthony on “Rat Film”

    - Apr 28, 2017
    Theo Anthony’s astonishing debut feature, “Rat Film,” proves that the deeper one digs into a particular subject, the more universal it becomes. The movie may be confined within Baltimore, but its revelations about the history of...
  • Sleight

    - Apr 28, 2017
    “Sleight” is an ambitious genre mash-up about a young street magician that pulls off a nifty bit of trickery itself.With his debut feature, director and co-writer J.D. Dillard deftly mixes intimate sci-fi thrills with dramatic, big-city...
  • How to Be a Latin Lover

    - Apr 28, 2017
    After niftily compressing more than a quarter-century of its central character’s early life into a tidy five minutes and a handful of seconds before any opening credits flash by, “How to Be a Latin Lover” all...